If you choose to use this approach you need to have a very large bankroll and awesome fortitude to leave when you generate a small win. For the purposes of this article, a figurative buy in of two thousand dollars is used.
The Horn Bet numbers are surely not judged the "winning way to play" and the horn bet itself has a house edge well over twelve percent.
All you are betting is 5 dollars on the pass line and ONE number from the horn. It doesn’t matter if it’s a "craps" or "yo" as long as you wager it routinely. The Yo is more prominent with players using this approach for clear reasons.
Buy in for $2,000 when you approach the table however only put five dollars on the passline and one dollar on either the 2, 3, 11, or twelve. If it wins, excellent, if it loses press to two dollars. If it loses again, press to four dollars and continue on to eight dollars, then to sixteen dollars and following that add a one dollar each time. Each time you don’t win, bet the previous wager plus a further dollar.
Employing this approach, if for example after fifteen tosses, the number you chose (11) hasn’t been tosses, you probably should walk away. However, this is what could develop.
On the tenth toss, you have a sum of $126 in the game and the YO finally hits, you gain three hundred and fifteen dollars with a profit of one hundred and eighty nine dollars. Now is an excellent time to go away as it’s a lot more than what you joined the table with.
If the YO does not hit until the twentieth roll, you will have a total bet of $391 and seeing as current bet is at $31, you gain $465 with your profit of $74.
As you can see, adopting this approach with only a $1.00 "press," your take becomes smaller the more you play on without hitting. That is why you have to walk away after a win or you should bet a "full press" once again and then continue on with the one dollar increase with each roll.
Carefully go over the data before you try this so you are very adept at when this approach becomes a non-winning proposition rather than a profitable one.
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